Master (Chariji) in
1977 (Taken from “The pursuit of the inner way”)
Nature is beautiful. Great Artists, great scientists, great
thinkers and philosophers have all expressed in words of moving rhapsody and
inner ecstasy the beauty of nature as they have perceived it. As common
individuals, we have also felt and experienced this utterly fascinating beauty
in the various aspects of nature, though we may not have been able to express
it as the great personalities have been able to. This is not for lack of desire
to express the felt beauty and the resultant ecstasy, but merely because of
inability to translate experience into language. Every individual has had such
moments of revelation when the inner ecstasy could be expressed by nothing more
than tears of joy, of happiness.
Further, where our inner person has developed in ourselves
the ability to perceive this grand panoramic Beauty of nature, we find, often to
our amazement, that the beauty which we perceive in the benign manifestation of
nature is also present in the more awesome, frightening, destructive and
violent manifestations of nature. When we begin to perceive this, understanding
begins to develop in us that nature ‘s functions are at least in three
directions, namely the creative, the protective, and destructive aspects. When
this perception of natures‘s beauty becomes total, then there is neither love
of beautiful -nor fear of the terrible.
At an advanced stage of perception, even that force of
nature, the ultimate destruction which we call death, begins to lose its hold
of awesome terror, and we begin to perceive the beautiful aspects of death. As
we grow in our faculties of perception and understanding, death begins to have
for us the fascination that any other aspect of nature has. Death becomes
merely another phenomenon of nature, one of so many in its ever-changing
aspect, all beautiful and all necessary. Indeed, at one stage we begin to
perceive that in nature, whatever is necessary is necessarily beautiful, too.
In comparison with a vast, sky-embracing panorama of
magnificent sunset, a tiny flower in a meadow does not attract our attention.
But those who have learnt to perceive beauty develop the vision necessary to
perceive beauty develop the vision necessary to perceive beauty not merely in
the grand, the vast, but also in the tiny, invisible, too.
We then begin to understand that beauty is not dependent on
the scale of manifestation. Beauty is independent of the dimensionality
associated with space. So, scales of magnitude become meaningless. The tiny,
the microscopic are as beautiful as the grand, the panoramic exhibitions of nature‘s
beauty.
Then we find that this beauty is to be seen, can be seen
again and again, day after day. We begin to understand that what was beautiful
in its beginning yesterday is still beautiful today in its full bloom. We also
see that what has withered after living out its life span also continues to be
beautiful. So we perceive that the time dimension, too, has no hold on beauty.
Anything beautiful continues to be beautiful, notwithstanding the factor of
time, and the changes in its form and appearance. Then dawns the realization
that beauty is a permanent and everlasting aspect of nature, and those who can
see it, see it.
Nature is orderly. There is nothing unnecessary in nature.
Each manifestation of nature occurs precisely when it must. Hence we perceive
the system behind it, the system which governs the appearance and the
disappearance of the various manifestations. And the existence of a definite
system reveals to us the law of the operation of that system. This, in turn,
leads to the inescapable conclusion that the laws must have a lawgiver, one who
made the laws and set them in force. Such a lawgiver we call God, the Almighty,
et cetera.
No system can be considered perfect where the results of its
application result in imperfection. No can a perfect system be developed by
those who are themselves imperfect. So, by observing the perfect results of the
operation of any system, we are able to understand the perfection of the system
operation behind the results, and then to perceive the perfection of the person
who has designed the system which we see in operation. So, a perfect person
alone can produce a perfect system which will give perfect results.
The person comes first, the system next, and the results
last. Therefore, enlightened people worship God, not nature, because they saw
the results only. Partial enlightenment, advancement, saw the emergence of
worship of the forces of nature, a step higher up in the ladder of evolution.
Subsequent advancement in the spiritual essence of a person took them beyond
the powers of nature to the wielders of those powers, the sun god, the mood god
the god of rain and so on. Yet further growth and maturity of a spiritual
nature brings in the idea of one behind the many. And so, God, as distinct from
the pantheistic vision, comes into the picture.
When we study the system of
Sahaj Marg, we immediately appreciate its simplicity, its
naturalness; and our experience has already taught us that true beauty,
indestructible beauty, lies only in nature, in the natural. All that is natural
is beautiful. So the first beauty of
Sahaj
Marg is its naturalness. It goes with nature. Every element of its teaching
and practice are in tune with nature. Even the ultimate renunciation comes
about naturally, without effort, without tension, without misery. We see that
in nature, nothing seems to take effort as we understand it.
Everything is spontaneous, natural. Whether it be the
emergence of a tiny flower, or the birth of a microscopic life form, or the
grand and awesome serenade of thunder and lightning, all seem to operate
without application of effort. They emerge naturally when necessary, when
appropriate. So the primary beauty of
SahajMarg lies in its utter naturalness.
As we go along the path of this sadhana, we see the Master, really ‘see’ him for what he
is, what he has been all along, but which our limited vision made us blind to.
We see in him the perfection which alone could have made it possible for him to
develop the system which we have found in our own experience to be beautiful
have been seen by us to be beautiful and perfect. So Master stands revealed as
the perfect, and the beautiful.
Herein lies the beauty of Sahaj Marg. It is beautiful because the creator of the system, the
system itself, and the resultant product of the operation of the system are all
perfect, and hence beautiful. This is the beauty of Sahaj Marg.